Lily
Pierre Perret
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Browse piano sheets by Pierre Perret on Zen Virtual Piano. Pierre Perret's parents, Maurice and Claudia, kept the Café du Pont in Castelsarrasin, where he grew up picking up slang and the language of the trades. At his father's insistence he began learning solfège and the saxophone at eight; the instrument charmed him only moderately, though he showed more aptitude for it than for school. Picking up slang and the languages of trades at the café, beside solfège lessons begun at eight, may suggest a childhood in which language and music both came early. At fourteen he entered the Toulouse Conservatoire, taking music and drama classes at once, and formed a small band that played local dances, fairs and weddings for several years. The agent Émile Hebey spotted him, took him under his wing and introduced him to Eddie Barclay, with whom a recording contract was signed in 1957. After an appearance at Bobino, pleurisy forced him into two years of rest in a sanatorium, and several artists organised an exceptional Musicorama for his benefit to help him financially. A two-year break answered by help from several artists may suggest the regard in which they held him. A band that played weddings and fairs for several years, beside an agent who noticed him, may hint at a performer whose public appearances reached professional ears. In 1969 he founded his own record company, Adèle, which gave him the freedom to decide the content and arrangements of his songs, to record as he liked and to depend on no one. His comeback in 1977 was Lily, a song denouncing xenophobia and the fate of immigrants that earned him the prize of the League Against Racism and Antisemitism and has been studied since in thousands of schools; it was released that year on an album of the same name. On June 26, 2003, the Académie Française awarded him its vermeil medal for his body of work. A song that denounces xenophobia and has been studied in thousands of schools may suggest a message taken up beyond music alone. The biography on pierreperret.fr calls him a singer and above all a poet, greedy for words and for food, whose biting writing paints pictures of social customs, sometimes burlesque and always meticulous. While preparing the album Bercy Madeleine he shut himself away as usual, working doggedly from seven in the morning until nine at night, with hardly any breaks and without even cooking, though he adores good food. His albums include Humour liberté, Mes adieux provisoires, Mes bijoux de famille and Ma vieille carcasse, as well as the book Aphorisme & Blues. A writer who skips cooking while he works suggests how completely a record could take over his days.
Browse piano sheets by Pierre Perret on Zen Virtual Piano.
Pierre Perret's parents, Maurice and Claudia, kept the Café du Pont in Castelsarrasin, where he grew up picking up slang and the language of the trades. At his father's insistence he began learning solfège and the saxophone at eight; the instrument charmed him only moderately, though he showed more aptitude for it than for school. Picking up slang and the languages of trades at the café, beside solfège lessons begun at eight, may suggest a childhood in which language and music both came early.
At fourteen he entered the Toulouse Conservatoire, taking music and drama classes at once, and formed a small band that played local dances, fairs and weddings for several years. The agent Émile Hebey spotted him, took him under his wing and introduced him to Eddie Barclay, with whom a recording contract was signed in 1957. After an appearance at Bobino, pleurisy forced him into two years of rest in a sanatorium, and several artists organised an exceptional Musicorama for his benefit to help him financially. A two-year break answered by help from several artists may suggest the regard in which they held him. A band that played weddings and fairs for several years, beside an agent who noticed him, may hint at a performer whose public appearances reached professional ears.
In 1969 he founded his own record company, Adèle, which gave him the freedom to decide the content and arrangements of his songs, to record as he liked and to depend on no one. His comeback in 1977 was Lily, a song denouncing xenophobia and the fate of immigrants that earned him the prize of the League Against Racism and Antisemitism and has been studied since in thousands of schools; it was released that year on an album of the same name. On June 26, 2003, the Académie Française awarded him its vermeil medal for his body of work. A song that denounces xenophobia and has been studied in thousands of schools may suggest a message taken up beyond music alone.
The biography on pierreperret.fr calls him a singer and above all a poet, greedy for words and for food, whose biting writing paints pictures of social customs, sometimes burlesque and always meticulous. While preparing the album Bercy Madeleine he shut himself away as usual, working doggedly from seven in the morning until nine at night, with hardly any breaks and without even cooking, though he adores good food. His albums include Humour liberté, Mes adieux provisoires, Mes bijoux de famille and Ma vieille carcasse, as well as the book Aphorisme & Blues. A writer who skips cooking while he works suggests how completely a record could take over his days.
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Pierre Perret
Common questions
Pierre Perret is a French singer-songwriter who grew up in Castelsarrasin, where his parents kept the Café du Pont.
Lily is a song released in 1977 that denounces xenophobia and the fate of immigrants, and it is studied in thousands of schools.
A recording contract with Eddie Barclay was signed in 1957, after the agent Émile Hebey introduced him.
Adèle is the record company he founded in 1969, giving him freedom over the content of his songs and how they were recorded.