Sicilienne
Maria Theresia Von Paradis
Browse 1 Sheet
Sort:
Song library
Browse piano sheets by Maria Theresia Von Paradis on Zen Virtual Piano. Maria Theresia von Paradis lost her sight in early childhood, between the ages of two and five. Her parents first thought of piano lessons, and then singing lessons, when she was seven and started paying close attention to the church music she heard. A child who listened closely to church music before any lessons suggests that attention was her first instrument. Losing her sight so young and still becoming a performer suggests unusual resilience. Several Viennese masters taught her before Kozeluch took over her studies, writing many lessons and concertos for her. By all accounts her memory was excellent and her hearing exceptionally accurate, and she was widely reported to have known over sixty concertos by heart together with a big repertoire of solo and sacred pieces. A teacher who wrote lessons and concertos for her, set beside a memory that held over sixty concertos, hints at a repertoire built by ear and tutoring together. Her travels took her to the principal courts and cities of Germany, where her talents and misfortunes drew great attention and patronage, and then to Paris, where she stayed five or six months. She was the pianist in a Mozart piano concerto in 1784, but it is not known which concerto it was, possibly the Piano Concerto No. 19 in B-flat, K. 456, which Mozart dedicated to her, and pieces for her also came from Salieri and Haydn. After Valentin HaĆ¼y opened the first school for blind youth in Paris in 1785, she helped develop its music curriculum. Pieces written for her by Salieri and Haydn, and a part in a school's music curriculum, hint at respect from both composers and educators. Her earliest surviving major work is the collection Zwƶlf Lieder auf ihrer Reise in Musik gesetzt, composed between 1784 and 1786, and her songs are mostly in an operatic style with coloratura and trills. After the failure of the 1797 opera Rinaldo und Alcina she put more and more of her energy into teaching, and in 1808 she founded her own music school in Vienna for young girls, with a Sunday concert series featuring her pupils. The Sicilienne in E-flat major, the best-known work credited to her, is not by her: it is considered a hoax, probably by the violinist Samuel Dushkin, who published it in 1924; the piece itself is based on Weber's Violin Sonata, Op. 10 No. 1. A famous piece wrongly credited to her suggests how a reputation can grow beyond what a composer actually wrote. Founding a school for girls in Vienna suggests she valued passing her craft on.
Browse piano sheets by Maria Theresia Von Paradis on Zen Virtual Piano.
Maria Theresia von Paradis lost her sight in early childhood, between the ages of two and five. Her parents first thought of piano lessons, and then singing lessons, when she was seven and started paying close attention to the church music she heard. A child who listened closely to church music before any lessons suggests that attention was her first instrument. Losing her sight so young and still becoming a performer suggests unusual resilience.
Several Viennese masters taught her before Kozeluch took over her studies, writing many lessons and concertos for her. By all accounts her memory was excellent and her hearing exceptionally accurate, and she was widely reported to have known over sixty concertos by heart together with a big repertoire of solo and sacred pieces. A teacher who wrote lessons and concertos for her, set beside a memory that held over sixty concertos, hints at a repertoire built by ear and tutoring together.
Her travels took her to the principal courts and cities of Germany, where her talents and misfortunes drew great attention and patronage, and then to Paris, where she stayed five or six months. She was the pianist in a Mozart piano concerto in 1784, but it is not known which concerto it was, possibly the Piano Concerto No. 19 in B-flat, K. 456, which Mozart dedicated to her, and pieces for her also came from Salieri and Haydn. After Valentin HaĆ¼y opened the first school for blind youth in Paris in 1785, she helped develop its music curriculum. Pieces written for her by Salieri and Haydn, and a part in a school's music curriculum, hint at respect from both composers and educators.
Her earliest surviving major work is the collection Zwƶlf Lieder auf ihrer Reise in Musik gesetzt, composed between 1784 and 1786, and her songs are mostly in an operatic style with coloratura and trills. After the failure of the 1797 opera Rinaldo und Alcina she put more and more of her energy into teaching, and in 1808 she founded her own music school in Vienna for young girls, with a Sunday concert series featuring her pupils. The Sicilienne in E-flat major, the best-known work credited to her, is not by her: it is considered a hoax, probably by the violinist Samuel Dushkin, who published it in 1924; the piece itself is based on Weber's Violin Sonata, Op. 10 No. 1. A famous piece wrongly credited to her suggests how a reputation can grow beyond what a composer actually wrote. Founding a school for girls in Vienna suggests she valued passing her craft on.
Search the library
Maria Theresia Von Paradis
Common questions
Maria Theresia von Paradis was a blind pianist, composer and teacher in Vienna.
No. The Sicilienne in E-flat major is considered a hoax, very likely by the violinist Samuel Dushkin, who published it in 1924.
Her Vienna school, opened in 1808, offered young girls lessons in singing, piano and theory.
Mozart dedicated a piano concerto to her, and Salieri and Haydn also wrote compositions for her.