Sunshine Adagio In D Minor
John Murphy
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Browse piano sheets by John Murphy on Zen Virtual Piano. Murphy says he wrote Adagio in D Minor in Liverpool in 1999, on a rainy Sunday morning after an all-nighter, when he couldn't sleep. Slumped over his piano with a splitting headache, he says, it came out all in one go; after playing the first round he heard the rest in his head and kept playing to the end. The piece later turned up in Sunshine and again in Kick-Ass. A piece that came out in one go at his piano, set beside his remark that having a score thrown out happens a lot, may hint at very different fates for different pieces of his music. John Murphy was born in Liverpool on March 4, 1965. Hearing The Beatles play Twist and Shout got him interested in music, and it became the first song he learned on guitar. He recalls watching A Fistful of Dollars as a child, at about five or six, and suddenly realizing there was music playing. A self-taught instrumentalist, he found a book in London called How to be a Film Score Composer, began scoring films in the early 1990s and had his first hit with Leon the Pig Farmer. Twist and Shout as the first song he learned on guitar, his self-taught status, and writing Adagio in D Minor at the piano may suggest a musician at ease on more than one instrument. He says he made five films with one director, and that up to Sunshine it was the easiest, most creative collaboration he had had; every director is different and has strange ways of dealing with music. For the science fiction film Sunshine he teamed up with Underworld to write the score. Since Guy Ritchie's Snatch in 2000 he has worked independently, and he is based in Los Angeles. Five films with one director, a score for Sunshine written with Underworld, and independent work since Snatch may suggest that working independently has not ruled out collaboration. He candidly names his weaknesses: he will never be an all-rounder in film music and is at best an average orchestrator. He also feels more at home with darker material, a deeper well to draw from. He says he once had his first score thrown out, and that this happens a lot, even to better composers than him. In 2014 he released Anonymous Rejected Filmscore, which, as its title suggests, was a rejected score, with the film's studio head having rejected it for being too weird; it was allowed to grow beyond the original story, with a cover photo of his son taken by his wife through her sunglasses. A stated preference for darker material and an album made from a rejected score may point to a fit between his taste and unconventional music.
Browse piano sheets by John Murphy on Zen Virtual Piano.
Murphy says he wrote Adagio in D Minor in Liverpool in 1999, on a rainy Sunday morning after an all-nighter, when he couldn't sleep. Slumped over his piano with a splitting headache, he says, it came out all in one go; after playing the first round he heard the rest in his head and kept playing to the end. The piece later turned up in Sunshine and again in Kick-Ass. A piece that came out in one go at his piano, set beside his remark that having a score thrown out happens a lot, may hint at very different fates for different pieces of his music.
John Murphy was born in Liverpool on March 4, 1965. Hearing The Beatles play Twist and Shout got him interested in music, and it became the first song he learned on guitar. He recalls watching A Fistful of Dollars as a child, at about five or six, and suddenly realizing there was music playing. A self-taught instrumentalist, he found a book in London called How to be a Film Score Composer, began scoring films in the early 1990s and had his first hit with Leon the Pig Farmer. Twist and Shout as the first song he learned on guitar, his self-taught status, and writing Adagio in D Minor at the piano may suggest a musician at ease on more than one instrument.
He says he made five films with one director, and that up to Sunshine it was the easiest, most creative collaboration he had had; every director is different and has strange ways of dealing with music. For the science fiction film Sunshine he teamed up with Underworld to write the score. Since Guy Ritchie's Snatch in 2000 he has worked independently, and he is based in Los Angeles. Five films with one director, a score for Sunshine written with Underworld, and independent work since Snatch may suggest that working independently has not ruled out collaboration.
He candidly names his weaknesses: he will never be an all-rounder in film music and is at best an average orchestrator. He also feels more at home with darker material, a deeper well to draw from. He says he once had his first score thrown out, and that this happens a lot, even to better composers than him. In 2014 he released Anonymous Rejected Filmscore, which, as its title suggests, was a rejected score, with the film's studio head having rejected it for being too weird; it was allowed to grow beyond the original story, with a cover photo of his son taken by his wife through her sunglasses. A stated preference for darker material and an album made from a rejected score may point to a fit between his taste and unconventional music.
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Common questions
John Murphy is a self-taught film composer and instrumentalist, born in Liverpool on March 4, 1965, and based in Los Angeles.
He says he wrote it in Liverpool in 1999 on a rainy Sunday morning, and it later appeared in Sunshine and Kick-Ass.
It is a 2014 album of music written for a film; as the title suggests, the score was rejected, and the film's studio head rejected it for being too weird.
He worked with the band Underworld on the score for Sunshine.