Intermediate
Violin Sonata In D Minor, Op.5 No.12 'La Folia'
3:12
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Browse piano sheets by Arcangelo Corelli on Zen Virtual Piano. Arcangelo Corelli was born on 17 February 1653 in Fusignano, near Imola, and his mother, Santa Raffini, who had been left a widow five weeks before his birth, named him after his deceased father. Between 1666 and 1667 he studied with Giovanni Benvenuti, violinist of the chapel of San Petronio in Bologna, and another violinist, Leonardo Brugnoli, furthered his education. A widowed mother naming her newborn after the father puts a family loss at the start of the story. After four years in Bologna he went to Rome, and it is likely that he played the violin at the Tordinona Theatre. From 1684 he served as violinist at the court of Cardinal Pamphili, to whom he dedicated his Trio Sonatas, Op. 2, published in 1685, and Matteo Fornari, his faithful pupil and later his successor, served as second violinist. A faithful pupil who later became his successor suggests a school as much as a career. A cardinal’s court and a dedicated set of trio sonatas make his career look like a world of patrons. In 1706, together with Bernardo Pasquini and Alessandro Scarlatti, he was received into the Arcadia Academy and conducted a concert for the occasion. He also met George Frideric Handel, who was in Rome between 1707 and 1708. Being received into the Arcadia Academy alongside two other composers places him in a circle of peers. The entire cycle of sonatas in his Op. 5 closes with a folia with variations, a piece devoted to various problems of violin technique, and for many years his solo sonatas served primarily educational purposes. His concerti grossi were heard in Rome as early as 1682 but not published until 1714, and they exploit the contrast of smaller and larger instrumental groups within a movement. A technical finale to a sonata cycle and concertos heard well before they were published place his music in both teaching and performance. Johann Sebastian Bach studied Corelli’s works and used several subjects from fugues in his organ works. He was also an avid collector of paintings, and he died in Rome on 8 January 1713.
Browse piano sheets by Arcangelo Corelli on Zen Virtual Piano.
Arcangelo Corelli was born on 17 February 1653 in Fusignano, near Imola, and his mother, Santa Raffini, who had been left a widow five weeks before his birth, named him after his deceased father. Between 1666 and 1667 he studied with Giovanni Benvenuti, violinist of the chapel of San Petronio in Bologna, and another violinist, Leonardo Brugnoli, furthered his education. A widowed mother naming her newborn after the father puts a family loss at the start of the story.
After four years in Bologna he went to Rome, and it is likely that he played the violin at the Tordinona Theatre. From 1684 he served as violinist at the court of Cardinal Pamphili, to whom he dedicated his Trio Sonatas, Op. 2, published in 1685, and Matteo Fornari, his faithful pupil and later his successor, served as second violinist. A faithful pupil who later became his successor suggests a school as much as a career. A cardinal’s court and a dedicated set of trio sonatas make his career look like a world of patrons.
In 1706, together with Bernardo Pasquini and Alessandro Scarlatti, he was received into the Arcadia Academy and conducted a concert for the occasion. He also met George Frideric Handel, who was in Rome between 1707 and 1708. Being received into the Arcadia Academy alongside two other composers places him in a circle of peers.
The entire cycle of sonatas in his Op. 5 closes with a folia with variations, a piece devoted to various problems of violin technique, and for many years his solo sonatas served primarily educational purposes. His concerti grossi were heard in Rome as early as 1682 but not published until 1714, and they exploit the contrast of smaller and larger instrumental groups within a movement. A technical finale to a sonata cycle and concertos heard well before they were published place his music in both teaching and performance. Johann Sebastian Bach studied Corelli’s works and used several subjects from fugues in his organ works. He was also an avid collector of paintings, and he died in Rome on 8 January 1713.
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In Fusignano, near Imola, on 17 February 1653. His mother, Santa Raffini, named him after his father, who had died five weeks before his birth.
The folia with variations that closes the entire cycle of sonatas in his Op. 5, a piece devoted to various problems of violin technique.
Johann Sebastian Bach, who used several subjects from fugues in his organ works. Corelli also met George Frideric Handel.