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在 Zen Virtual Piano 探索 Gaston Borch 的鋼琴琴譜。 Gaston Louis Christopher Borch (8 March 1871 – 14 February 1926) was a French composer, arranger, conductor, cellist and author. His mother, Emma Hennequin, was a pianist and soprano; she became a friend and pupil of Jules Massenet after meeting him when he lodged at her father’s boarding house. A cellist, Borch studied for three years with Massenet in France and with Jules Delsart, and also at the Valand School of Fine Arts in Sweden. Cello playing alongside study at a school of fine arts suggests a musician with interests beyond sound. During the 1890s he was conductor of the Christiania Orchestral Society and the Central Theatre in Christiania, now Oslo, and was also a visiting conductor in various European countries. From 1898 to 1906 he was active in the USA as a musician and conductor, joining the Theodore Thomas Orchestra as a cellist in 1899 and also working with the Chicago Symphony Orchestra and Syracuse University. A conductor of the 1890s who joined an American orchestra as a cellist in 1899 can be read as a musician willing to take a seat among the players. He spent some time in Europe in 1906 as conductor of the Lausanne Symphony Orchestra, and conducted the Grieg Jubilee Concerts in New York in 1907. Years in the USA between conducting posts in Christiania and Lausanne can be read as a career that kept returning to Europe. His works include Silvio (1897), a one-act opera premiered on 7 March 1898 with a libretto by Borch and O. A. Smith, a sequel to Cavalleria Rusticana, and Geneviève de Paris (1906). A patent application he filed in 1901 for a device that amplified the vibrations of a piano indicates that he was living in Duluth, Minnesota, at the time. An 1897 opera and a 1901 piano-device patent application can be read as a musician whose curiosity ran to instruments as well as scores. From 1916 until his death Borch wrote a great deal of photoplay music, short stock pieces each designed to suggest one mood, which musicians picked and combined into a scene-by-scene score for the silent films they played along with. In 1918 he published his Practical Manual of Instrumentation, which included several chapters on adapting works written for larger orchestras to smaller ensembles, such as those working in picture houses. In 1921 Borch went back to Europe and settled in Sweden, where he arranged and contributed music to the score of The Saga of Gösta Berling (1924), which starred Greta Garbo. Radio broadcasting began in Sweden on 1 January 1925, and on that first day Borch conducted the Skandia Cinema Orchestra in the country’s first broadcast of orchestral music. A composer of short mood pieces for cinema also leading Sweden’s first orchestral radio broadcast can be read as work that followed new media.
在 Zen Virtual Piano 探索 Gaston Borch 的鋼琴琴譜。
Gaston Louis Christopher Borch (8 March 1871 – 14 February 1926) was a French composer, arranger, conductor, cellist and author. His mother, Emma Hennequin, was a pianist and soprano; she became a friend and pupil of Jules Massenet after meeting him when he lodged at her father’s boarding house. A cellist, Borch studied for three years with Massenet in France and with Jules Delsart, and also at the Valand School of Fine Arts in Sweden. Cello playing alongside study at a school of fine arts suggests a musician with interests beyond sound.
During the 1890s he was conductor of the Christiania Orchestral Society and the Central Theatre in Christiania, now Oslo, and was also a visiting conductor in various European countries. From 1898 to 1906 he was active in the USA as a musician and conductor, joining the Theodore Thomas Orchestra as a cellist in 1899 and also working with the Chicago Symphony Orchestra and Syracuse University. A conductor of the 1890s who joined an American orchestra as a cellist in 1899 can be read as a musician willing to take a seat among the players. He spent some time in Europe in 1906 as conductor of the Lausanne Symphony Orchestra, and conducted the Grieg Jubilee Concerts in New York in 1907. Years in the USA between conducting posts in Christiania and Lausanne can be read as a career that kept returning to Europe.
His works include Silvio (1897), a one-act opera premiered on 7 March 1898 with a libretto by Borch and O. A. Smith, a sequel to Cavalleria Rusticana, and Geneviève de Paris (1906). A patent application he filed in 1901 for a device that amplified the vibrations of a piano indicates that he was living in Duluth, Minnesota, at the time. An 1897 opera and a 1901 piano-device patent application can be read as a musician whose curiosity ran to instruments as well as scores.
From 1916 until his death Borch wrote a great deal of photoplay music, short stock pieces each designed to suggest one mood, which musicians picked and combined into a scene-by-scene score for the silent films they played along with. In 1918 he published his Practical Manual of Instrumentation, which included several chapters on adapting works written for larger orchestras to smaller ensembles, such as those working in picture houses. In 1921 Borch went back to Europe and settled in Sweden, where he arranged and contributed music to the score of The Saga of Gösta Berling (1924), which starred Greta Garbo. Radio broadcasting began in Sweden on 1 January 1925, and on that first day Borch conducted the Skandia Cinema Orchestra in the country’s first broadcast of orchestral music. A composer of short mood pieces for cinema also leading Sweden’s first orchestral radio broadcast can be read as work that followed new media.
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