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在 Zen Virtual Piano 探索 Rosa Walton 的钢琴琴谱。 Rosa Walton told Musik Magazine that Hallie Coggins is not a real person but a character, and that she wrote the song by herself. Her solo career started in 2022 when I Really Want to Stay at Your House appeared in the game Cyberpunk 2077; the song was afterwards used in the Netflix series Cyberpunk: Edgerunners. She is credited alongside Hallie Coggins, a fictional in-universe persona created for the game. A song credited to an invented persona that its real writer wrote alone suggests how a game's world can give a songwriter a doorway to her own work. Both Rosa Walton and Jenny Hollingworth grew up in Norwich; they met in a reception class at the age of four and started making music as a pair at thirteen. They became part of the local scene until Kiran Leonard noticed their work and passed it to their future manager. Formed in 2013, their duo Let's Eat Grandma describes itself as psychedelic sludge-pop, and its album I'm All Ears won Album of the Year at the Q Awards. In 2022 the duo released Two Ribbons, an album steeped in grief and turmoil, after which both stepped back to find space for personal projects. A friendship that began at age four and became a long partnership suggests that a solo record was a step the two of them could take without ending what they built, and that each could now explore a separate path. Many of the new songs began in lockdown with Sam E Yamaha, and over the next years Walton returned to the demos, rewriting vocals and lyrics and sometimes changing the instruments they were built around. She says her vocal style had shifted without her intending it, coming out more ethereal and in a higher register. She co-produced the album with David Wrench, whose earlier work includes Frank Ocean and FKA twigs, and recorded it with live musicians: John Victor on guitar, Kam Khan on bass and Elena Costa on drums. A voice that changed without being planned, and demos reworked across years, hint at a record shaped by patient revision more than by a single burst. Looking back, she says that when she and Jenny were starting out, they had to prove they could do everything themselves, particularly as young women, and she describes the pleasure now of working with a band of technically skilled musicians. Jenny also lent vocals to Prettier Things, and manager Tim Dellow at Transgressive Records introduced Walton to The Pretenders and other bands from past decades, whose scale and ambition shaped her songwriting. Her first full-length solo album, Tell Me It's a Dream, came out on 5 June, a title she says could stand for her whole life. A musician who first proved she could play everything and then chose to share the work suggests a songwriter growing comfortable with collaboration, after years of insisting on doing every part herself.
在 Zen Virtual Piano 探索 Rosa Walton 的钢琴琴谱。
Rosa Walton told Musik Magazine that Hallie Coggins is not a real person but a character, and that she wrote the song by herself. Her solo career started in 2022 when I Really Want to Stay at Your House appeared in the game Cyberpunk 2077; the song was afterwards used in the Netflix series Cyberpunk: Edgerunners. She is credited alongside Hallie Coggins, a fictional in-universe persona created for the game. A song credited to an invented persona that its real writer wrote alone suggests how a game's world can give a songwriter a doorway to her own work.
Both Rosa Walton and Jenny Hollingworth grew up in Norwich; they met in a reception class at the age of four and started making music as a pair at thirteen. They became part of the local scene until Kiran Leonard noticed their work and passed it to their future manager. Formed in 2013, their duo Let's Eat Grandma describes itself as psychedelic sludge-pop, and its album I'm All Ears won Album of the Year at the Q Awards. In 2022 the duo released Two Ribbons, an album steeped in grief and turmoil, after which both stepped back to find space for personal projects. A friendship that began at age four and became a long partnership suggests that a solo record was a step the two of them could take without ending what they built, and that each could now explore a separate path.
Many of the new songs began in lockdown with Sam E Yamaha, and over the next years Walton returned to the demos, rewriting vocals and lyrics and sometimes changing the instruments they were built around. She says her vocal style had shifted without her intending it, coming out more ethereal and in a higher register. She co-produced the album with David Wrench, whose earlier work includes Frank Ocean and FKA twigs, and recorded it with live musicians: John Victor on guitar, Kam Khan on bass and Elena Costa on drums. A voice that changed without being planned, and demos reworked across years, hint at a record shaped by patient revision more than by a single burst.
Looking back, she says that when she and Jenny were starting out, they had to prove they could do everything themselves, particularly as young women, and she describes the pleasure now of working with a band of technically skilled musicians. Jenny also lent vocals to Prettier Things, and manager Tim Dellow at Transgressive Records introduced Walton to The Pretenders and other bands from past decades, whose scale and ambition shaped her songwriting. Her first full-length solo album, Tell Me It's a Dream, came out on 5 June, a title she says could stand for her whole life. A musician who first proved she could play everything and then chose to share the work suggests a songwriter growing comfortable with collaboration, after years of insisting on doing every part herself.
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