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在 Zen Virtual Piano 探索 Richard Strauss 的钢琴琴谱。 Richard Strauss had a father, Franz, who led the horns of the Munich Court Orchestra and was acknowledged as the leading horn virtuoso in Germany, and a mother from the well-known Pschorr brewing family. Strauss, a child prodigy in composition, began studying music at four with August Tombo, the harpist of the Munich Court Orchestra, and soon sat in on its rehearsals while the assistant conductor taught him theory and orchestration. Observing the conductor Bülow in rehearsal was how Strauss learned conducting; he regarded Bülow as his greatest conducting mentor and often credited him with teaching "the art of interpretation". A horn-playing father and a harpist teacher, both in the Munich Court Orchestra, may point to an orchestra that figured in his training from several sides. Strauss conducted the first performance of his symphonic poem Don Juan in Weimar in November 1889; the triumphant reception made him Wagner's acclaimed heir and began his successful composing career. The premiere of his first opera, Guntram, came at Weimar in 1894, conducted by Strauss himself, with his fiancée Pauline de Ahna, who had become his singing pupil in 1887, in the leading soprano role. A symphonic poem in 1889 and an opera in 1894 may point to a composer working in both orchestral and stage forms. Learning conducting by watching Bülow in rehearsal, beside Strauss conducting his own premieres of Don Juan and Guntram, may suggest that conducting ran alongside composing. Strauss conducted the first performance of Also sprach Zarathustra on November 27, 1896, in Frankfurt, and a typical performance lasts about 33 minutes. The Los Angeles Philharmonic describes Also sprach Zarathustra as a free-form symphonic piece loosely based on Nietzsche's philosophical work that suggests the moods of the text, with the composer at first disavowing any connection between his music and Nietzsche beyond inspiration from the book's poetic imagery and its chapter headings, eight of which he used. Elektra, in 1909, was the first opera Strauss made with the Austrian poet Hugo von Hofmannsthal, and five more operas with Hofmannsthal's libretti followed across the next twenty years. Music that suggests the moods of a book may point to evocation of a text rather than close setting of it. Hofmannsthal and Nietzsche together may suggest that literary figures mattered to his work. Strauss was dismissed from his post as Reichsmusikkammer president in 1935. In 1947 he declared, with characteristic self-deprecation, “I may not be a first-rate composer, but I am a first-class second-rate composer.” From May to September 1948, just before his death, he composed the Four Last Songs, which deal with the subject of dying, the last of them, Im Abendrot, ending with the line “Is this perhaps death?” A 1935 dismissal and a 1948 set of songs about dying may point to a later career with a more sombre tone.
在 Zen Virtual Piano 探索 Richard Strauss 的钢琴琴谱。
Richard Strauss had a father, Franz, who led the horns of the Munich Court Orchestra and was acknowledged as the leading horn virtuoso in Germany, and a mother from the well-known Pschorr brewing family. Strauss, a child prodigy in composition, began studying music at four with August Tombo, the harpist of the Munich Court Orchestra, and soon sat in on its rehearsals while the assistant conductor taught him theory and orchestration. Observing the conductor Bülow in rehearsal was how Strauss learned conducting; he regarded Bülow as his greatest conducting mentor and often credited him with teaching "the art of interpretation". A horn-playing father and a harpist teacher, both in the Munich Court Orchestra, may point to an orchestra that figured in his training from several sides.
Strauss conducted the first performance of his symphonic poem Don Juan in Weimar in November 1889; the triumphant reception made him Wagner's acclaimed heir and began his successful composing career. The premiere of his first opera, Guntram, came at Weimar in 1894, conducted by Strauss himself, with his fiancée Pauline de Ahna, who had become his singing pupil in 1887, in the leading soprano role. A symphonic poem in 1889 and an opera in 1894 may point to a composer working in both orchestral and stage forms. Learning conducting by watching Bülow in rehearsal, beside Strauss conducting his own premieres of Don Juan and Guntram, may suggest that conducting ran alongside composing.
Strauss conducted the first performance of Also sprach Zarathustra on November 27, 1896, in Frankfurt, and a typical performance lasts about 33 minutes. The Los Angeles Philharmonic describes Also sprach Zarathustra as a free-form symphonic piece loosely based on Nietzsche's philosophical work that suggests the moods of the text, with the composer at first disavowing any connection between his music and Nietzsche beyond inspiration from the book's poetic imagery and its chapter headings, eight of which he used. Elektra, in 1909, was the first opera Strauss made with the Austrian poet Hugo von Hofmannsthal, and five more operas with Hofmannsthal's libretti followed across the next twenty years. Music that suggests the moods of a book may point to evocation of a text rather than close setting of it. Hofmannsthal and Nietzsche together may suggest that literary figures mattered to his work.
Strauss was dismissed from his post as Reichsmusikkammer president in 1935. In 1947 he declared, with characteristic self-deprecation, “I may not be a first-rate composer, but I am a first-class second-rate composer.” From May to September 1948, just before his death, he composed the Four Last Songs, which deal with the subject of dying, the last of them, Im Abendrot, ending with the line “Is this perhaps death?” A 1935 dismissal and a 1948 set of songs about dying may point to a later career with a more sombre tone.
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