Classical2:06浏览 1 首琴谱
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在 Zen Virtual Piano 探索 Fikrət Əmirov 的钢琴琴谱。 Fikret Amirov was born on 22 November 1922 in Ganja into the family of Mashadi Jamil Amirov, a famous mugham singer, tar player and composer. During his childhood and early adolescence he began composing pieces for the piano. In 1939 he entered the Baku Conservatoire, where he learned composition from Boris Zeidman and the basis of Azerbaijani folk music from Uzeyir Hajibeyov. A son of a mugham singer who went on to study folk music in a conservatoire suggests a composer who came to tradition both at home and in school. A biography at operasofia.bg says that in November 1941, at nineteen, he was called up into the Soviet army and sent to the Voronezh front on 3 June 1942. In 1945 he resumed his education, and after three years graduated from the conservatoire presenting the opera Ulduz as his diploma work. A call-up at nineteen, followed by a diploma presented as an opera, can be read as a young life that passed through military service and finished its studies on a creative note. The Google Arts and Culture entry says the composer mainly used Azerbaijani folk music, rhythms, mugham principles and improvisation, and merged them with variation and polyphonic development. Azer.com notes that the strong folkloric elements come from his habit of research; before composing his ballet Arabian Nights, he visited several Arab countries, Iraq, Yemen and Egypt, and brought back tapes and records. His ballets include Nizami (1947) and One Thousand and One Nights, which premiered in 1979, and he wrote the opera Sevil in 1953. Tapes and records brought back from three countries suggest a composer who preferred to hear a tradition before he wrote in its voice.
在 Zen Virtual Piano 探索 Fikrət Əmirov 的钢琴琴谱。
Fikret Amirov was born on 22 November 1922 in Ganja into the family of Mashadi Jamil Amirov, a famous mugham singer, tar player and composer. During his childhood and early adolescence he began composing pieces for the piano. In 1939 he entered the Baku Conservatoire, where he learned composition from Boris Zeidman and the basis of Azerbaijani folk music from Uzeyir Hajibeyov. A son of a mugham singer who went on to study folk music in a conservatoire suggests a composer who came to tradition both at home and in school.
A biography at operasofia.bg says that in November 1941, at nineteen, he was called up into the Soviet army and sent to the Voronezh front on 3 June 1942. In 1945 he resumed his education, and after three years graduated from the conservatoire presenting the opera Ulduz as his diploma work. A call-up at nineteen, followed by a diploma presented as an opera, can be read as a young life that passed through military service and finished its studies on a creative note.
The Google Arts and Culture entry says the composer mainly used Azerbaijani folk music, rhythms, mugham principles and improvisation, and merged them with variation and polyphonic development. Azer.com notes that the strong folkloric elements come from his habit of research; before composing his ballet Arabian Nights, he visited several Arab countries, Iraq, Yemen and Egypt, and brought back tapes and records. His ballets include Nizami (1947) and One Thousand and One Nights, which premiered in 1979, and he wrote the opera Sevil in 1953. Tapes and records brought back from three countries suggest a composer who preferred to hear a tradition before he wrote in its voice.
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