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Zen Virtual Piano پر Karel Svoboda کی پیانو شیٹس دیکھیں۔ Karel Svoboda (1938–2007) studied dentistry at Charles University but did not finish and turned to music. He began playing piano in the group Jazztet, and in 1963 he co-founded the Prague beat group Mefisto, with which he performed as a pianist. A student who left dentistry for a beat group can be read as making a decisive change of direction. The group played on the experimental stage of Laterna Magika and, from 1965, at the Rokoko theatre. There he soon showed himself to be a talented composer and a capable organizer. His first piece for Mefisto was the melodically strong piano instrumental Návrat Gemini (1966). Songs followed for the rising generation of pop stars from the Rokoko theatre: Marta Kubišová, Václav Neckář and Helena Vondráčková. Writing first for his own group and then for the singers around the same theatre can be read as a step from player to songwriter. He received a number of awards and, since the mid-1990s, counted among the commercially most successful composers, receiving a diamond disc for ten million recordings on the Supraphon label. He composed TV scores for the German channel ZDF for over 30 years, and wrote scores for many TV series in the 1970s and 1980s that a whole generation of Europeans grew up with. Music written for television and heard by a whole generation can be read as a quiet kind of reach. He came to writing an original stage musical only in the first half of the 1990s, when he and Zdeněk Borovec created Dracula; by then he had not written songs for several years. Dracula had its world premiere in Prague on 13 October 1995, and he also wrote scores for the musicals Noc na Karlštejně, Monte Christo (2000) and Golem (2006, book by Zdeněk Zelenka). A songwriter who had stopped writing songs for years and then built full musicals can be read as a composer who kept finding new forms.
Zen Virtual Piano پر Karel Svoboda کی پیانو شیٹس دیکھیں۔
Karel Svoboda (1938–2007) studied dentistry at Charles University but did not finish and turned to music. He began playing piano in the group Jazztet, and in 1963 he co-founded the Prague beat group Mefisto, with which he performed as a pianist. A student who left dentistry for a beat group can be read as making a decisive change of direction.
The group played on the experimental stage of Laterna Magika and, from 1965, at the Rokoko theatre. There he soon showed himself to be a talented composer and a capable organizer. His first piece for Mefisto was the melodically strong piano instrumental Návrat Gemini (1966). Songs followed for the rising generation of pop stars from the Rokoko theatre: Marta Kubišová, Václav Neckář and Helena Vondráčková. Writing first for his own group and then for the singers around the same theatre can be read as a step from player to songwriter.
He received a number of awards and, since the mid-1990s, counted among the commercially most successful composers, receiving a diamond disc for ten million recordings on the Supraphon label. He composed TV scores for the German channel ZDF for over 30 years, and wrote scores for many TV series in the 1970s and 1980s that a whole generation of Europeans grew up with. Music written for television and heard by a whole generation can be read as a quiet kind of reach.
He came to writing an original stage musical only in the first half of the 1990s, when he and Zdeněk Borovec created Dracula; by then he had not written songs for several years. Dracula had its world premiere in Prague on 13 October 1995, and he also wrote scores for the musicals Noc na Karlštejně, Monte Christo (2000) and Golem (2006, book by Zdeněk Zelenka). A songwriter who had stopped writing songs for years and then built full musicals can be read as a composer who kept finding new forms.
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