Rock3:16เรียกดู 1 ชีต
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สำรวจชีตเปียโนโดย Mother Mother บน Zen Virtual Piano Ryan Guldemond, the frontman, remembers working alone in a home studio he built among the trees of Quadra Island, near Vancouver Island's east coast, where he and his sister Molly, also his bandmate, grew up; silence, he says, can be loud. He calls his first high school band magic, recalling hours of repeating one song with friends in a shed and a steady flow state of passion and engagement. The Pixies came next, which he found mind-blowing, followed by a heavy metal phase in high school. A shed, a home studio in the woods and a sister in the band suggest a group whose beginnings were close to home, in a family and a place that clearly mattered to the music. Ryan and Molly later roomed together in Vancouver while he went to music school. Pushing back against a more cerebral style of music, he began writing vocal-driven pop songs and hoped to form a band around them. Molly and a college friend, Debra-Jean Creelman, were brought in to sing alongside his own vocals; as an acoustic trio they performed until Kenton Loewen joined on drums and Jeremy Page on bass. Pop songs written as a reply to a cerebral education suggest a band that began as a deliberate change of direction. Several bands were already called Mother, so the label encouraged a change of name; the band had built some steam with the name, so instead of replacing it they doubled it up. The band was essentially a folk trio at the beginning, Ryan says, and the music has since become denser and less organic. Molly handles all of the band's artwork and design. A name doubled to avoid a clash and a sound that grew denser over time hint at a band that adapted as it went. Ryan says that a story or a strong experience, good or bad, to inform the writing adds depth and meaning to an album. On January 28, 2022 the band put out a deluxe edition of Inside, which added the single Life, a follow-up to their best-known song Hayloft, a piano demo of Like A Child and four more new songs. While writing for a deluxe Grief Chapter, the band found the process so inspiring that it led to further new songs and then to the idea of going back to bring out older ones. A sequel to a best-known song and archive work hint at a band that keeps looking back at its own earlier work as it moves ahead, and that seems comfortable doing both at once.
สำรวจชีตเปียโนโดย Mother Mother บน Zen Virtual Piano
Ryan Guldemond, the frontman, remembers working alone in a home studio he built among the trees of Quadra Island, near Vancouver Island's east coast, where he and his sister Molly, also his bandmate, grew up; silence, he says, can be loud. He calls his first high school band magic, recalling hours of repeating one song with friends in a shed and a steady flow state of passion and engagement. The Pixies came next, which he found mind-blowing, followed by a heavy metal phase in high school. A shed, a home studio in the woods and a sister in the band suggest a group whose beginnings were close to home, in a family and a place that clearly mattered to the music.
Ryan and Molly later roomed together in Vancouver while he went to music school. Pushing back against a more cerebral style of music, he began writing vocal-driven pop songs and hoped to form a band around them. Molly and a college friend, Debra-Jean Creelman, were brought in to sing alongside his own vocals; as an acoustic trio they performed until Kenton Loewen joined on drums and Jeremy Page on bass. Pop songs written as a reply to a cerebral education suggest a band that began as a deliberate change of direction.
Several bands were already called Mother, so the label encouraged a change of name; the band had built some steam with the name, so instead of replacing it they doubled it up. The band was essentially a folk trio at the beginning, Ryan says, and the music has since become denser and less organic. Molly handles all of the band's artwork and design. A name doubled to avoid a clash and a sound that grew denser over time hint at a band that adapted as it went.
Ryan says that a story or a strong experience, good or bad, to inform the writing adds depth and meaning to an album. On January 28, 2022 the band put out a deluxe edition of Inside, which added the single Life, a follow-up to their best-known song Hayloft, a piano demo of Like A Child and four more new songs. While writing for a deluxe Grief Chapter, the band found the process so inspiring that it led to further new songs and then to the idea of going back to bring out older ones. A sequel to a best-known song and archive work hint at a band that keeps looking back at its own earlier work as it moves ahead, and that seems comfortable doing both at once.
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