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Изучайте фортепианные ноты Pedro Elías Gutiérrez в Zen Virtual Piano. Pedro Elías Gutiérrez was a composer, double-bass player and director of the Banda Marcial de Caracas. Gutiérrez was born on 14 March 1870 in Vargas state, today La Guaira, and began his music studies under Trino Gil. The early studies under Trino Gil and the post of band director may point to training and band leadership as two threads in Gutiérrez's musical life. Gutiérrez wrote his first artistic composition at sixteen, the “Marcha triunfal a María” of 1886, which spread through the churches of the country. In 1901 he began his professional activity as a double bassist in the Banda Marcial del Distrito Federal, today the Banda Marcial Caracas, and he directed it until 1946. Gutiérrez adapted the music of Alma Llanera from two waltzes: “Marisela” by Sebastián Díaz Peña, which forms the first part, and “Mita” by Jan Gerard Palm (1831-1906) of Curaçao, which forms the second. In agreement with Bolívar Coronado, Gutiérrez made the piece independent and premiered it with the Banda Marcial Caracas in the Plaza Bolívar, during the farewell retreta of the year. The 1886 march heard in churches and the premiere in the Plaza Bolívar may hint at music that reached both religious and public-square audiences. Gutiérrez, as a soldier, composer and director of the band, had the power to bring music to every kind of public, both those who attended the theatre and those who watched the retretas from Thursday to Sunday in the Plaza Bolívar. The retretas from Thursday to Sunday and the recording sessions with the Orquesta Caraqueña may suggest that Gutiérrez worked both in the plaza and in the recording studio. At those recording sessions Gutiérrez directed the Banda Marcial de Caracas, of which he was titular director; the Orquesta Caraqueña, which he founded and also directed; and an unidentified orchestra backing the tenor Pepino Sarno.
Изучайте фортепианные ноты Pedro Elías Gutiérrez в Zen Virtual Piano.
Pedro Elías Gutiérrez was a composer, double-bass player and director of the Banda Marcial de Caracas. Gutiérrez was born on 14 March 1870 in Vargas state, today La Guaira, and began his music studies under Trino Gil. The early studies under Trino Gil and the post of band director may point to training and band leadership as two threads in Gutiérrez's musical life.
Gutiérrez wrote his first artistic composition at sixteen, the “Marcha triunfal a María” of 1886, which spread through the churches of the country. In 1901 he began his professional activity as a double bassist in the Banda Marcial del Distrito Federal, today the Banda Marcial Caracas, and he directed it until 1946.
Gutiérrez adapted the music of Alma Llanera from two waltzes: “Marisela” by Sebastián Díaz Peña, which forms the first part, and “Mita” by Jan Gerard Palm (1831-1906) of Curaçao, which forms the second. In agreement with Bolívar Coronado, Gutiérrez made the piece independent and premiered it with the Banda Marcial Caracas in the Plaza Bolívar, during the farewell retreta of the year. The 1886 march heard in churches and the premiere in the Plaza Bolívar may hint at music that reached both religious and public-square audiences.
Gutiérrez, as a soldier, composer and director of the band, had the power to bring music to every kind of public, both those who attended the theatre and those who watched the retretas from Thursday to Sunday in the Plaza Bolívar. The retretas from Thursday to Sunday and the recording sessions with the Orquesta Caraqueña may suggest that Gutiérrez worked both in the plaza and in the recording studio. At those recording sessions Gutiérrez directed the Banda Marcial de Caracas, of which he was titular director; the Orquesta Caraqueña, which he founded and also directed; and an unidentified orchestra backing the tenor Pepino Sarno.
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