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Przeglądaj nuty fortepianowe artysty Vũ w Zen Virtual Piano. Vũ told Vietcetera that people probably know he is an outsider who came to music from another field, and that after studying at a military school, in the period after 2012–2013, he took in an enormous amount of knowledge about music. The VGT profile says he is not from a family of musicians and had no professional music training, but was lucky to grow up in the Mai Dịch arts collective housing in Hà Nội, a cradle of many composers and instrumentalists. According to VGT, he graduated from an officer school and followed that career for a while, but his heart and soul always belonged to music, and in the end he persuaded his family and superiors to let him leave the service and live by his passion. A musician raised among composers and instrumentalists, with no professional music training, suggests a talent shaped by listening to the people around him. At the Đà Lạt songwriting course of Lê Cát Trọng Lý, he was asked whether he wanted to become an idol or an artist. He finished Bước Qua Mùa Cô Đơn once he had an answer to that question, and calls it the song of his revival. A question about being an idol or an artist, put to him at a course, can be read as one that stayed open until a song was finished. He said he often thinks up keywords and then collects people’s stories in intimate conversations, adding that people share even their emotional stories easily when asked. During his time at a songwriting camp he read a great deal of old poetry, and his bedside book is Tục Ngữ Ca Dao Dân Ca Việt Nam by Vũ Ngọc Phan. His way of playing, he said, was influenced by Jason Mraz, and probably his way of living by John Mayer. Proverbs and folk songs on the bedside table, with stories collected in conversation, suggest a songwriter who listens as much as he writes. VGT calls him the first Vietnamese artist to collaborate with Warner Music Group, and says his two solo nights titled Xin phép (được) cô đơn (2017) made a splash in the Vietnamese indie community by selling out within a few hours. Elsewhere, Vũ said his music usually does not tell specific stories and is often rambling, and that people who commissioned songs from him, such as Thùy Chi and Binz, told him he writes rather rambling. A songwriter who says his songs wander, and who sold out two nights within hours, leaves room for the thought that listeners may value mood over plot, even when the songs do not tell a specific story.
Przeglądaj nuty fortepianowe artysty Vũ w Zen Virtual Piano.
Vũ told Vietcetera that people probably know he is an outsider who came to music from another field, and that after studying at a military school, in the period after 2012–2013, he took in an enormous amount of knowledge about music. The VGT profile says he is not from a family of musicians and had no professional music training, but was lucky to grow up in the Mai Dịch arts collective housing in Hà Nội, a cradle of many composers and instrumentalists. According to VGT, he graduated from an officer school and followed that career for a while, but his heart and soul always belonged to music, and in the end he persuaded his family and superiors to let him leave the service and live by his passion. A musician raised among composers and instrumentalists, with no professional music training, suggests a talent shaped by listening to the people around him.
At the Đà Lạt songwriting course of Lê Cát Trọng Lý, he was asked whether he wanted to become an idol or an artist. He finished Bước Qua Mùa Cô Đơn once he had an answer to that question, and calls it the song of his revival. A question about being an idol or an artist, put to him at a course, can be read as one that stayed open until a song was finished.
He said he often thinks up keywords and then collects people’s stories in intimate conversations, adding that people share even their emotional stories easily when asked. During his time at a songwriting camp he read a great deal of old poetry, and his bedside book is Tục Ngữ Ca Dao Dân Ca Việt Nam by Vũ Ngọc Phan. His way of playing, he said, was influenced by Jason Mraz, and probably his way of living by John Mayer. Proverbs and folk songs on the bedside table, with stories collected in conversation, suggest a songwriter who listens as much as he writes.
VGT calls him the first Vietnamese artist to collaborate with Warner Music Group, and says his two solo nights titled Xin phép (được) cô đơn (2017) made a splash in the Vietnamese indie community by selling out within a few hours. Elsewhere, Vũ said his music usually does not tell specific stories and is often rambling, and that people who commissioned songs from him, such as Thùy Chi and Binz, told him he writes rather rambling. A songwriter who says his songs wander, and who sold out two nights within hours, leaves room for the thought that listeners may value mood over plot, even when the songs do not tell a specific story.
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