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Przeglądaj nuty fortepianowe artysty O'Connor, Lawrence B. w Zen Virtual Piano. Lawrence B. O’Connor is credited with a run of sheet-music pieces from the 1890s to 1912. His “Festival March” dates from 1894, and “Margie Roone” (1896), credited as words and music, was published by the Oliver Ditson Company. “Belle of the Cake Walk” (1897) was published by the B. F. Wood Music Co., and “Free Silver & Bryan in 1900” (1897), with words by Lyman F. George and performed by W. T. Miller, was a Lyman F. George Publication. Titles that run from a march to a cake walk, a schottische and a piece titled for Bryan and free silver suggest a catalogue with a wide spread of subjects. “Good-Bye Ma Baby! Or, Good-Bye Ma Ragtime Gal” (1899) was published in Boston by Chas. Shackford & Co., “Sylvie” (1904) by G. W. Setchell in Boston and “Four Little Blackberries,” a schottische (1907), by Walter Jacobs in Boston. “Honeymoon Rag” and “Mary, Maud and Marguerite,” the latter credited as words and music, date from 1910, and “Take Me Out in a Velie Car” (1911) has words by Harold D. Bornstein and Morton H. Luce. A piano piece of 1912, in sectional form, was published by Walter Jacobs in Boston and carries the dedication “To my friend Dom F. Keegan.” A dedication to a friend on a 1912 piano piece suggests a personal touch in at least one published work. Walter Jacobs of Boston appearing on items from both 1907 and 1912 suggests a publishing connection that outlasted a single piece.
Przeglądaj nuty fortepianowe artysty O'Connor, Lawrence B. w Zen Virtual Piano.
Lawrence B. O’Connor is credited with a run of sheet-music pieces from the 1890s to 1912. His “Festival March” dates from 1894, and “Margie Roone” (1896), credited as words and music, was published by the Oliver Ditson Company. “Belle of the Cake Walk” (1897) was published by the B. F. Wood Music Co., and “Free Silver & Bryan in 1900” (1897), with words by Lyman F. George and performed by W. T. Miller, was a Lyman F. George Publication. Titles that run from a march to a cake walk, a schottische and a piece titled for Bryan and free silver suggest a catalogue with a wide spread of subjects. “Good-Bye Ma Baby! Or, Good-Bye Ma Ragtime Gal” (1899) was published in Boston by Chas. Shackford & Co., “Sylvie” (1904) by G. W. Setchell in Boston and “Four Little Blackberries,” a schottische (1907), by Walter Jacobs in Boston.
“Honeymoon Rag” and “Mary, Maud and Marguerite,” the latter credited as words and music, date from 1910, and “Take Me Out in a Velie Car” (1911) has words by Harold D. Bornstein and Morton H. Luce. A piano piece of 1912, in sectional form, was published by Walter Jacobs in Boston and carries the dedication “To my friend Dom F. Keegan.” A dedication to a friend on a 1912 piano piece suggests a personal touch in at least one published work. Walter Jacobs of Boston appearing on items from both 1907 and 1912 suggests a publishing connection that outlasted a single piece.
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