Classical2:121개 악보 둘러보기
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Zen Virtual Piano에서 Robert Browne Hall의 피아노 악보를 찾아보세요. Robert Browne Hall was born in Bowdoinham, Maine, on June 30, 1858, to Mr. and Mrs. Nathaniel W. Hall. Robert took lessons on the E-flat cornet from his father and later added the B-flat cornet to the instruments he played. After his father died in 1874, Robert went to work in a shoe factory to bring in money for his mother and two sisters; in time he was able to take up a career in music, and his first musical job was as a cornet soloist. A young man who worked in a shoe factory to support his family before pursuing music as a career can be read as a musician whose career had to be earned slowly. After playing in bands in Maine and Boston, he became director of the Bangor Band in 1882. Hall accepted a call to rebuild the band in the early 1880s and accomplished the task with such skill that the grateful citizens of Bangor presented him with a gold Boston Three Star Ne-Plus cornet. He later became director of the Waterville Military Band (c. 1890), also served as conductor of various ensembles and taught music at Colby College. A gift of a gold cornet from the citizens of Bangor can be read as a band that mattered to its town. Hall was a principal American composer of marching music who seldom left his native state during his life. His music, though, has traveled around the world and is especially popular in the United Kingdom, where many brass band enthusiasts wrongly take Hall to be an Englishman. The trio from Hall’s New Colonial March provides the music for Stanford University’s official fight song, “Come Join the Band.” A trio that provides the music for a university’s fight song can be read as march music finding a second life far from the bandstand. A composer taken for an Englishman by brass-band lovers in the United Kingdom can be read as a reputation that travelled further than he did.
Zen Virtual Piano에서 Robert Browne Hall의 피아노 악보를 찾아보세요.
Robert Browne Hall was born in Bowdoinham, Maine, on June 30, 1858, to Mr. and Mrs. Nathaniel W. Hall. Robert took lessons on the E-flat cornet from his father and later added the B-flat cornet to the instruments he played. After his father died in 1874, Robert went to work in a shoe factory to bring in money for his mother and two sisters; in time he was able to take up a career in music, and his first musical job was as a cornet soloist. A young man who worked in a shoe factory to support his family before pursuing music as a career can be read as a musician whose career had to be earned slowly.
After playing in bands in Maine and Boston, he became director of the Bangor Band in 1882. Hall accepted a call to rebuild the band in the early 1880s and accomplished the task with such skill that the grateful citizens of Bangor presented him with a gold Boston Three Star Ne-Plus cornet. He later became director of the Waterville Military Band (c. 1890), also served as conductor of various ensembles and taught music at Colby College. A gift of a gold cornet from the citizens of Bangor can be read as a band that mattered to its town.
Hall was a principal American composer of marching music who seldom left his native state during his life. His music, though, has traveled around the world and is especially popular in the United Kingdom, where many brass band enthusiasts wrongly take Hall to be an Englishman. The trio from Hall’s New Colonial March provides the music for Stanford University’s official fight song, “Come Join the Band.” A trio that provides the music for a university’s fight song can be read as march music finding a second life far from the bandstand. A composer taken for an Englishman by brass-band lovers in the United Kingdom can be read as a reputation that travelled further than he did.
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