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Zen Virtual PianoでCentimillimentalのピアノ楽譜を見つけましょう。 In an interview with Scrmbl, Atsushi said that Centimillimental originally started in 2012 as a four-piece band, that for several years things did not go the way they had hoped, and that by 2015 the band was essentially on hiatus. After the other band members left and Centimillimental became only Atsushi, he began to sing about his inner feelings more, his music changed a lot, and he won a Grand Prix in an audition he entered. A band reduced to one person and a voice turning toward inner feelings can be read as a change of subject as much as a change of lineup. In 2019, Atsushi was in charge of the sound production and opening theme for the anime Given and made his major debut together with the in-story band Given, an experience that ultimately shaped Centimillimental into the solo project it is today. The name Centimillimental combines sentimental, centimeter and millimeter: he likes sentimental music but also wanted to create songs that express feelings like sadness, joy and happiness, all measured using different units. Measuring feelings in centimeters and millimeters can be read as a name that treats emotion as something finely graded. Asked how he would describe his music, Centimillimental answered, “Music of words that you can’t let out easily. I make such words into lyrics and notes.” Describing music as words that cannot easily be let out can be read as a statement of purpose. Probably separation, feelings of loss, regret and contradiction are the main themes that make Centimillimental what it is, he told A-to-J. Bandwagon describes his second full-length album, Cafuné, as a gentle, poetic dive into love’s dualities: past and present, pain and hope, solitude and connection, named for a Portuguese word for the tender act of running fingers through a loved one’s hair. An artist who names separation and loss as main themes and titles an album for a tender gesture can be read as pairing grief with tenderness. As he prepares for his first-ever global tour, the Centimillimental WORLD TOUR 2025–2026, Atsushi told Bandwagon, “Every place I get to take Centimillimental’s music feels like a dream. At the same time, I also feel that I’m still in the middle of that dream.” He said that seeing all the fans enjoying the music with their whole hearts always gives him a strange kind of energy. Calling a tour a dream still in progress can be read as a musician who has not yet grown used to his reach.
Zen Virtual PianoでCentimillimentalのピアノ楽譜を見つけましょう。
In an interview with Scrmbl, Atsushi said that Centimillimental originally started in 2012 as a four-piece band, that for several years things did not go the way they had hoped, and that by 2015 the band was essentially on hiatus. After the other band members left and Centimillimental became only Atsushi, he began to sing about his inner feelings more, his music changed a lot, and he won a Grand Prix in an audition he entered. A band reduced to one person and a voice turning toward inner feelings can be read as a change of subject as much as a change of lineup.
In 2019, Atsushi was in charge of the sound production and opening theme for the anime Given and made his major debut together with the in-story band Given, an experience that ultimately shaped Centimillimental into the solo project it is today. The name Centimillimental combines sentimental, centimeter and millimeter: he likes sentimental music but also wanted to create songs that express feelings like sadness, joy and happiness, all measured using different units. Measuring feelings in centimeters and millimeters can be read as a name that treats emotion as something finely graded.
Asked how he would describe his music, Centimillimental answered, “Music of words that you can’t let out easily. I make such words into lyrics and notes.” Describing music as words that cannot easily be let out can be read as a statement of purpose. Probably separation, feelings of loss, regret and contradiction are the main themes that make Centimillimental what it is, he told A-to-J. Bandwagon describes his second full-length album, Cafuné, as a gentle, poetic dive into love’s dualities: past and present, pain and hope, solitude and connection, named for a Portuguese word for the tender act of running fingers through a loved one’s hair. An artist who names separation and loss as main themes and titles an album for a tender gesture can be read as pairing grief with tenderness.
As he prepares for his first-ever global tour, the Centimillimental WORLD TOUR 2025–2026, Atsushi told Bandwagon, “Every place I get to take Centimillimental’s music feels like a dream. At the same time, I also feel that I’m still in the middle of that dream.” He said that seeing all the fans enjoying the music with their whole hearts always gives him a strange kind of energy. Calling a tour a dream still in progress can be read as a musician who has not yet grown used to his reach.
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