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Zen Virtual PianoでAlkis Livathinosのピアノ楽譜を見つけましょう。 Alkis Livathinos was born and raised in Greece and has been a keyboardist since his early teens; he mostly liked improvising and writing rather than performing. He says he ended up studying Computer Science, but while studying he kept writing, producing and recording, and things started picking up when he found success in the library music scene, holding the top-selling music logos and sonic idents on the Envato marketplace. In 2015 he moved to London, both for love and to break free from the idea that music couldn’t be a real job in his small Greek hometown. Preferring improvising and writing to performing, then finding success in library music, can be read as a musician whose work reaches people through what he writes rather than from a stage. He says he has also worked with music tech companies such as Jukedeck and Figaro, thanks to his academic background in Computer Science, which helped him communicate better with engineering teams. Based in London, he works as a media composer and sound designer whose specialities are bespoke composition, sonic branding and audio post-production; he founded Afield Audio and often collaborates with agencies including MassiveMusic. His portfolio spans luxury fashion, global commercial campaigns and interactive media, with custom audio for brands such as Louis Vuitton, Fendi, Samsung, Glossier and HP. A game soundtrack that Waypoint/VICE named among the year’s best suggests game music being heard as music in its own right. He composed the original soundtrack for the award-winning indie game Hue (Fiddlesticks Games); Waypoint/VICE named that soundtrack one of the “Best Game Soundtracks of 2016.” His personal instrumental work balances rhythmic patterns of prepared piano techniques and interwoven improvisational melodies. Personal instrumental work that sets prepared piano beside improvised melody can be read as the improvising keyboardist of his teens finding a place in his own music. He says he loves mentoring younger composers on how to stay independent and make a living out of music making, and that he has recently begun assembling a team of composers and visual artists to bring Afield Audio, a music and sound production company, to its next stage. Mentoring younger composers on independence, from someone who has worked in library music, brand audio and game scoring, can be read as advice drawn from several routes to a living.
Zen Virtual PianoでAlkis Livathinosのピアノ楽譜を見つけましょう。
Alkis Livathinos was born and raised in Greece and has been a keyboardist since his early teens; he mostly liked improvising and writing rather than performing. He says he ended up studying Computer Science, but while studying he kept writing, producing and recording, and things started picking up when he found success in the library music scene, holding the top-selling music logos and sonic idents on the Envato marketplace. In 2015 he moved to London, both for love and to break free from the idea that music couldn’t be a real job in his small Greek hometown. Preferring improvising and writing to performing, then finding success in library music, can be read as a musician whose work reaches people through what he writes rather than from a stage.
He says he has also worked with music tech companies such as Jukedeck and Figaro, thanks to his academic background in Computer Science, which helped him communicate better with engineering teams. Based in London, he works as a media composer and sound designer whose specialities are bespoke composition, sonic branding and audio post-production; he founded Afield Audio and often collaborates with agencies including MassiveMusic. His portfolio spans luxury fashion, global commercial campaigns and interactive media, with custom audio for brands such as Louis Vuitton, Fendi, Samsung, Glossier and HP. A game soundtrack that Waypoint/VICE named among the year’s best suggests game music being heard as music in its own right.
He composed the original soundtrack for the award-winning indie game Hue (Fiddlesticks Games); Waypoint/VICE named that soundtrack one of the “Best Game Soundtracks of 2016.” His personal instrumental work balances rhythmic patterns of prepared piano techniques and interwoven improvisational melodies. Personal instrumental work that sets prepared piano beside improvised melody can be read as the improvising keyboardist of his teens finding a place in his own music. He says he loves mentoring younger composers on how to stay independent and make a living out of music making, and that he has recently begun assembling a team of composers and visual artists to bring Afield Audio, a music and sound production company, to its next stage. Mentoring younger composers on independence, from someone who has worked in library music, brand audio and game scoring, can be read as advice drawn from several routes to a living.
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