Classical1:282件の楽譜を閲覧
並び替え:
楽曲ライブラリ
Zen Virtual PianoでAlicia Scottのピアノ楽譜を見つけましょう。 Alicia Anne Scott, born Spottiswood or Spottiswoode, came into the world on June 24, 1810, at Westruther, Berwickshire, the eldest of four children of John and Helen Wauchope Spottiswood. She spent much of her childhood in the countryside and was taught Italian, French, drawing, literature, singing and the harp; she was also interested in several branches of science and history, which appear in her later writing. The languages, music and drawing of her schooling, set beside a later interest in science and history in her writing, may suggest a curiosity that reached across the arts and the sciences. She wrote Annie Laurie during a stay with her sister and brother-in-law at Marchmont, and it came out in 1838, one of her best-known works. The song began as a poem by William Douglas set to the tune Kempie Kaye, and she altered the words and the melody and added a third verse. The third verse was made only for her own amusement, but the song was written down for Hugh Campbell and her sister, who liked it. It reached print without her say-so, became one of the most popular tunes among British soldiers during the Crimean War, and passed under various authors' names until the mid-1850s, when she was identified as its real writer. A childhood in the countryside with singing and harp lessons, and a song credited to various writers until the mid-1850s, may hint at a gap between where her music began and how widely it was known. She collected traditional songs and wrote sixty-nine of her own; most of her songs were kept in her own manuscripts, she sometimes gave songs to loved ones, and she copied a set for Lord Napier, a lifelong friend. Her wish to see Scotland again shows in her 1858 poem The Bounds of Cheviot. Scarlet fever took her sister Margaret in 1839 and her brother John died seven years later; in 1859 her husband Lord Scott died suddenly, leaving her full of grief and thoughts of death. Songs given to loved ones and a poem about her wish to see Scotland again may hint at attachments to both people and place. A sister's death in 1839 and a husband's in 1859, twenty years apart, may suggest that loss was a recurring part of her life. She directed the 1845 excavation of the Twinlaw cairns and noted that each held a cist that had been ransacked before. In 1870 she was admitted as the first Lady Associate of a society that had set up its first official membership category for women. She lived by the motto Haud fast by the past; as a Borders landowner she used her standing to guard old buildings and archaeological remains, keep ancient traditions alive and stand up for the Scots tongue. A songwriter who also directed the excavation of cairns and guarded old traditions suggests that her songs and her protection of old remains and traditions shared one concern, the keeping of the past.
Zen Virtual PianoでAlicia Scottのピアノ楽譜を見つけましょう。
Alicia Anne Scott, born Spottiswood or Spottiswoode, came into the world on June 24, 1810, at Westruther, Berwickshire, the eldest of four children of John and Helen Wauchope Spottiswood. She spent much of her childhood in the countryside and was taught Italian, French, drawing, literature, singing and the harp; she was also interested in several branches of science and history, which appear in her later writing. The languages, music and drawing of her schooling, set beside a later interest in science and history in her writing, may suggest a curiosity that reached across the arts and the sciences.
She wrote Annie Laurie during a stay with her sister and brother-in-law at Marchmont, and it came out in 1838, one of her best-known works. The song began as a poem by William Douglas set to the tune Kempie Kaye, and she altered the words and the melody and added a third verse. The third verse was made only for her own amusement, but the song was written down for Hugh Campbell and her sister, who liked it. It reached print without her say-so, became one of the most popular tunes among British soldiers during the Crimean War, and passed under various authors' names until the mid-1850s, when she was identified as its real writer. A childhood in the countryside with singing and harp lessons, and a song credited to various writers until the mid-1850s, may hint at a gap between where her music began and how widely it was known.
She collected traditional songs and wrote sixty-nine of her own; most of her songs were kept in her own manuscripts, she sometimes gave songs to loved ones, and she copied a set for Lord Napier, a lifelong friend. Her wish to see Scotland again shows in her 1858 poem The Bounds of Cheviot. Scarlet fever took her sister Margaret in 1839 and her brother John died seven years later; in 1859 her husband Lord Scott died suddenly, leaving her full of grief and thoughts of death. Songs given to loved ones and a poem about her wish to see Scotland again may hint at attachments to both people and place. A sister's death in 1839 and a husband's in 1859, twenty years apart, may suggest that loss was a recurring part of her life.
She directed the 1845 excavation of the Twinlaw cairns and noted that each held a cist that had been ransacked before. In 1870 she was admitted as the first Lady Associate of a society that had set up its first official membership category for women. She lived by the motto Haud fast by the past; as a Borders landowner she used her standing to guard old buildings and archaeological remains, keep ancient traditions alive and stand up for the Scots tongue. A songwriter who also directed the excavation of cairns and guarded old traditions suggests that her songs and her protection of old remains and traditions shared one concern, the keeping of the past.
ライブラリを検索