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Jelajahi sheet piano oleh Le Thuong di Zen Virtual Piano. LĂȘ ThÆ°ÆĄng was a composer whom DĂąn TrĂ reports was born in 1914 on HĂ m Long street in Hanoi, with the civil name NgĂŽ ÄĂŹnh Há». His parents were traditional-music artists. He lost his mother at the age of 9 and grew up with the care of his grandmother in a Catholic family. His musical talent came partly from an innate gift and partly from the influence of childhood days at a religious school. Parents who were traditional-music artists, beside childhood at a religious school, may suggest that more than one musical world surrounded his early years. LĂȘ ThÆ°ÆĄng wrote his first song, âTrưng VÆ°ÆĄng,â at 22, in 1936, and Lưu Hữu Phưá»c introduced it in the newspaper LĂȘn ÄĂ ng. His main trade, however, was teaching: he was a history and geography teacher and for a time taught at several private high schools in Saigon. In 1945, he joined the resistance against the French at BĂŹnh ÄĂ i in Báșżn Tre and was then arrested by French troops. A first song at 22, beside a working life in classrooms, may point to music and teaching running side by side in LĂȘ ThÆ°ÆĄngâs life. LĂȘ ThÆ°ÆĄng was also the author of the three-song cycle HĂČn vá»ng phu. PháșĄm Duy wrote in his memoirs that LĂȘ ThÆ°ÆĄng was very free-flowing in making poetry and music, yet lived a very simple life. DĂąn TrĂ says Tháș±ng Cuá»i was written by LĂȘ ThÆ°ÆĄng around 1946 to 1954, and that its strength lies in the word âtháș±ng,â an everyday, plain way of addressing someone, which he dared to put in the song. DĂąn TrĂ adds that he used personification, so that things in a childâs world seem to have souls, and even a cricket knows how to sing xáș©m. A song from the years 1946 to 1954 that turns a cricket into a singer, beside PháșĄm Duyâs memoir remark about a simple life, may hint at plain everyday speech and imagination existing together in LĂȘ ThÆ°ÆĄngâs work. Together with Nguyá» n XuĂąn KhoĂĄt, LĂȘ ThÆ°ÆĄng is affirmed as one of the first composers to open the stream of childrenâs music, and he was a representative composer of pre-war Vietnamese music. For a time, he and the composer LĂȘ Cao Phan ran the childrenâs band MÄng Non, which broadcast fairy tales, folk songs and childrenâs songs. In 1970, LĂȘ ThÆ°ÆĄng made the program âPhĂĄt thanh há»c ÄÆ°á»ngâ on Saigon Radio with LĂȘ Cao Phan, HĂčng LĂąn and Tráș§n Hữu Äức, and he composed more than 100 childrenâs songs. A band for children in his earlier years, beside a school radio program in 1970, may suggest childrenâs music stayed within his work across many years. VÄn Cao also acknowledged the influence of LĂȘ ThÆ°ÆĄng and a musical style rooted in traditional Vietnamese music. A first song in 1936, beside a school radio program in 1970, may point to a songwriting life that spanned several decades.
Jelajahi sheet piano oleh Le Thuong di Zen Virtual Piano.
LĂȘ ThÆ°ÆĄng was a composer whom DĂąn TrĂ reports was born in 1914 on HĂ m Long street in Hanoi, with the civil name NgĂŽ ÄĂŹnh Há». His parents were traditional-music artists. He lost his mother at the age of 9 and grew up with the care of his grandmother in a Catholic family. His musical talent came partly from an innate gift and partly from the influence of childhood days at a religious school. Parents who were traditional-music artists, beside childhood at a religious school, may suggest that more than one musical world surrounded his early years.
LĂȘ ThÆ°ÆĄng wrote his first song, âTrưng VÆ°ÆĄng,â at 22, in 1936, and Lưu Hữu Phưá»c introduced it in the newspaper LĂȘn ÄĂ ng. His main trade, however, was teaching: he was a history and geography teacher and for a time taught at several private high schools in Saigon. In 1945, he joined the resistance against the French at BĂŹnh ÄĂ i in Báșżn Tre and was then arrested by French troops. A first song at 22, beside a working life in classrooms, may point to music and teaching running side by side in LĂȘ ThÆ°ÆĄngâs life.
LĂȘ ThÆ°ÆĄng was also the author of the three-song cycle HĂČn vá»ng phu. PháșĄm Duy wrote in his memoirs that LĂȘ ThÆ°ÆĄng was very free-flowing in making poetry and music, yet lived a very simple life. DĂąn TrĂ says Tháș±ng Cuá»i was written by LĂȘ ThÆ°ÆĄng around 1946 to 1954, and that its strength lies in the word âtháș±ng,â an everyday, plain way of addressing someone, which he dared to put in the song. DĂąn TrĂ adds that he used personification, so that things in a childâs world seem to have souls, and even a cricket knows how to sing xáș©m. A song from the years 1946 to 1954 that turns a cricket into a singer, beside PháșĄm Duyâs memoir remark about a simple life, may hint at plain everyday speech and imagination existing together in LĂȘ ThÆ°ÆĄngâs work.
Together with Nguyá» n XuĂąn KhoĂĄt, LĂȘ ThÆ°ÆĄng is affirmed as one of the first composers to open the stream of childrenâs music, and he was a representative composer of pre-war Vietnamese music. For a time, he and the composer LĂȘ Cao Phan ran the childrenâs band MÄng Non, which broadcast fairy tales, folk songs and childrenâs songs. In 1970, LĂȘ ThÆ°ÆĄng made the program âPhĂĄt thanh há»c ÄÆ°á»ngâ on Saigon Radio with LĂȘ Cao Phan, HĂčng LĂąn and Tráș§n Hữu Äức, and he composed more than 100 childrenâs songs. A band for children in his earlier years, beside a school radio program in 1970, may suggest childrenâs music stayed within his work across many years. VÄn Cao also acknowledged the influence of LĂȘ ThÆ°ÆĄng and a musical style rooted in traditional Vietnamese music. A first song in 1936, beside a school radio program in 1970, may point to a songwriting life that spanned several decades.
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