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Jelajahi sheet piano oleh Larry Briers di Zen Virtual Piano. Larry Briers was an early jazz and dance band pianist, born in Newport News, Virginia, on 25 December 1891. He married Evelyn Russell Groeble on 6 September 1913, and the couple moved to New York, where he found work at the Rector CafĂ© and decided to use the artistic name Larry Briers. A new city and a new name arrived together, as if a working musicianâs career began by being renamed. At the Rector CafĂ© he met Joseph Samuels, a clarinet player and violinist and a future alto saxophonist, who hired him for the orchestra that also played there. In January 1919 he made his very first recordings with Samuelsâs Orchestra for the US branch of PathĂ©, and he went on to record with Samuels for Okeh, Emerson, Lyric, Gennett, Paramount, Arto, Bell, Grey Gull, Edison and Federal, among other labels. A bandleaderâs hire at the Rector CafĂ© leads to a trail of record labels, which suggests how much a sidemanâs career can depend on one introduction. He also accompanied the Harmonizers, Mamie Smith, Clarence Williams and many other vocalists and vocal groups, and appeared on several of Samuelsâs violin recordings and some of Harry Reserâs earliest banjo solos with piano accompaniment. As a composer he wrote tunes including âJust Suppose,â âDew Drop,â âSatisfied,â âOh, Joe (Please Donât Go),â âParson Jenks,â âFine Feathersâ and âBrother Low-Down,â and he co-wrote âPage Paderewskiâ with Samuels and the pianist Pete Wendling. The 1919 titles credited to him include the fox trot âJazapationâ and the one-step âJazarella.â A pianist who accompanied singers and violinists also left behind a list of his own tunes, which suggests a musician working on both sides of the accompaniment. By 1940 he was living in Franklin, Ohio.
Jelajahi sheet piano oleh Larry Briers di Zen Virtual Piano.
Larry Briers was an early jazz and dance band pianist, born in Newport News, Virginia, on 25 December 1891. He married Evelyn Russell Groeble on 6 September 1913, and the couple moved to New York, where he found work at the Rector CafĂ© and decided to use the artistic name Larry Briers. A new city and a new name arrived together, as if a working musicianâs career began by being renamed.
At the Rector CafĂ© he met Joseph Samuels, a clarinet player and violinist and a future alto saxophonist, who hired him for the orchestra that also played there. In January 1919 he made his very first recordings with Samuelsâs Orchestra for the US branch of PathĂ©, and he went on to record with Samuels for Okeh, Emerson, Lyric, Gennett, Paramount, Arto, Bell, Grey Gull, Edison and Federal, among other labels. A bandleaderâs hire at the Rector CafĂ© leads to a trail of record labels, which suggests how much a sidemanâs career can depend on one introduction. He also accompanied the Harmonizers, Mamie Smith, Clarence Williams and many other vocalists and vocal groups, and appeared on several of Samuelsâs violin recordings and some of Harry Reserâs earliest banjo solos with piano accompaniment.
As a composer he wrote tunes including âJust Suppose,â âDew Drop,â âSatisfied,â âOh, Joe (Please Donât Go),â âParson Jenks,â âFine Feathersâ and âBrother Low-Down,â and he co-wrote âPage Paderewskiâ with Samuels and the pianist Pete Wendling. The 1919 titles credited to him include the fox trot âJazapationâ and the one-step âJazarella.â A pianist who accompanied singers and violinists also left behind a list of his own tunes, which suggests a musician working on both sides of the accompaniment. By 1940 he was living in Franklin, Ohio.
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