Classical2:142 Notenblätter durchsuchen
Sortieren:
Song-Bibliothek
Piano-Notenblätter von Herbert Lincoln Clarke auf Zen Virtual Piano entdecken. Herbert Lincoln Clarke was an American cornet player, bandmaster and composer born in Woburn, Massachusetts. Although he was first educated to become an architect, he grew up in an excellent musical environment, and William Horatio Clarke was a celebrated organist, writer and composer who could play almost any of the stringed or wind instruments. A boy educated for architecture who grew up in an excellent musical environment can be read as standing between two worlds. He listened to his brother Ed practise Arban’s Cornet Method on a silver cornet that Ed cherished because it had belonged to the noted cornetist “Mat” Arbuckle. Herbert realized that the cornet was the instrument he craved, but he was not allowed to touch his brother’s cornet. A cornet that was cherished by one brother and off limits to another shows how a family object can shape a young player’s ambition. In 1893 he joined John Philip Sousa’s band as a cornet soloist, and after playing at the Chicago World’s Fair that year he left to play with various other bands over the next five years. A cornet soloist’s place in Sousa’s band, followed by playing with various other bands, shows a performing career spread across many ensembles. From 1918 to 1923 he led the Anglo-Canadian Leather Company Band in Huntsville, Ontario, and during this time he performed very little. In April 1934 he was elected President of the American Bandmasters Association, and from 1936 until his death in 1945 he developed a friendship with Claude Gordon and gave him private lessons. A bandleader who performed little in Huntsville and later taught Claude Gordon shows a career turning from the stage toward teaching. His legacy includes more than 50 cornet solos, the march and two-step New England’s Finest, many recordings, and a school of playing that emphasized technical aptitude together with warmth and lyricism of tone.
Piano-Notenblätter von Herbert Lincoln Clarke auf Zen Virtual Piano entdecken.
Herbert Lincoln Clarke was an American cornet player, bandmaster and composer born in Woburn, Massachusetts. Although he was first educated to become an architect, he grew up in an excellent musical environment, and William Horatio Clarke was a celebrated organist, writer and composer who could play almost any of the stringed or wind instruments. A boy educated for architecture who grew up in an excellent musical environment can be read as standing between two worlds.
He listened to his brother Ed practise Arban’s Cornet Method on a silver cornet that Ed cherished because it had belonged to the noted cornetist “Mat” Arbuckle. Herbert realized that the cornet was the instrument he craved, but he was not allowed to touch his brother’s cornet. A cornet that was cherished by one brother and off limits to another shows how a family object can shape a young player’s ambition.
In 1893 he joined John Philip Sousa’s band as a cornet soloist, and after playing at the Chicago World’s Fair that year he left to play with various other bands over the next five years. A cornet soloist’s place in Sousa’s band, followed by playing with various other bands, shows a performing career spread across many ensembles.
From 1918 to 1923 he led the Anglo-Canadian Leather Company Band in Huntsville, Ontario, and during this time he performed very little. In April 1934 he was elected President of the American Bandmasters Association, and from 1936 until his death in 1945 he developed a friendship with Claude Gordon and gave him private lessons. A bandleader who performed little in Huntsville and later taught Claude Gordon shows a career turning from the stage toward teaching. His legacy includes more than 50 cornet solos, the march and two-step New England’s Finest, many recordings, and a school of playing that emphasized technical aptitude together with warmth and lyricism of tone.
Bibliothek durchsuchen
