Classical3:28২টি শীট ব্রাউজ করুন
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Zen Virtual Piano-তে Sergei Prokofiev-এর পিয়ানো শীট দেখুন। Sergei Prokofiev was born on 23 April 1891 in Sontsovka, a village in the Donetsk region, the only child of an agronomist, and had a privileged upbringing. He started his music education with his mother, an amateur pianist, and at the age of five attempted his first composition, Indian Gallop, which still exists; in 1900 he composed the opera The Giant, inspired by operas he saw in Moscow with his parents. A child composing an opera in 1900, after hearing opera in Moscow, shows how early listening turned into writing. He took private music theory lessons with Reinhold Glière before enrolling at the St. Petersburg Conservatory in 1904, where he studied with Alexander Winkler and Anna Essipova (piano), Anatoli Liadov (theory and counterpoint), Yasep Vitol (composition), Nikolai Rimsky-Korsakov (orchestration) and Alexander Tcherepnin (conducting). Among his fellow students who became lifelong friends were Nikolai Myaskovsky and Boris Asafyev, and in 1911 he made his debut as a performer and composer at the “Evenings of Contemporary Music.” A list of teachers that includes Rimsky-Korsakov and a debut at an evening of contemporary music mark a student already moving in modern circles. He described the “lines” of his musical personality as classical, modern, toccata (or motor), lyrical and grotesque, and said of the first, “The first line is the classical line. This has its origins in my very early childhood, when my mother played Beethoven sonatas for me.” His first tour of the USSR in 1927 was a tremendous success, and he returned to the Soviet Union in 1929 and 1932, composed his first film score, Lieutenant Kijé, and was commissioned to write Romeo and Juliet. Five named lines within one musical personality show a composer who thought of his style as plural rather than single. Romeo and Juliet, a ballet in four acts based on Shakespeare’s tragedy, was commissioned in 1934, and Prokofiev completed the score in 1935, but political and administrative complications delayed its premiere in Russia. After a tour to the West in 1938, the year he composed the score for Sergei Eisenstein’s Alexander Nevsky, followed three years later by that of Ivan the Terrible, the Soviet authorities confiscated his passport, and it was never returned. A decree published by the Central Committee on 10 February 1948 severely damaged his standing, much of his music was blacklisted and his works were the object of scathing criticism. A ballet delayed by politics, a passport never returned and a decree in 1948 mark a career in which official decisions interrupted the music. A composer whose first tour of the USSR in 1927 was a tremendous success and whose standing was severely damaged by a decree in 1948 can be read as having lived under a changing set of official expectations.
Zen Virtual Piano-তে Sergei Prokofiev-এর পিয়ানো শীট দেখুন।
Sergei Prokofiev was born on 23 April 1891 in Sontsovka, a village in the Donetsk region, the only child of an agronomist, and had a privileged upbringing. He started his music education with his mother, an amateur pianist, and at the age of five attempted his first composition, Indian Gallop, which still exists; in 1900 he composed the opera The Giant, inspired by operas he saw in Moscow with his parents. A child composing an opera in 1900, after hearing opera in Moscow, shows how early listening turned into writing.
He took private music theory lessons with Reinhold Glière before enrolling at the St. Petersburg Conservatory in 1904, where he studied with Alexander Winkler and Anna Essipova (piano), Anatoli Liadov (theory and counterpoint), Yasep Vitol (composition), Nikolai Rimsky-Korsakov (orchestration) and Alexander Tcherepnin (conducting). Among his fellow students who became lifelong friends were Nikolai Myaskovsky and Boris Asafyev, and in 1911 he made his debut as a performer and composer at the “Evenings of Contemporary Music.” A list of teachers that includes Rimsky-Korsakov and a debut at an evening of contemporary music mark a student already moving in modern circles.
He described the “lines” of his musical personality as classical, modern, toccata (or motor), lyrical and grotesque, and said of the first, “The first line is the classical line. This has its origins in my very early childhood, when my mother played Beethoven sonatas for me.” His first tour of the USSR in 1927 was a tremendous success, and he returned to the Soviet Union in 1929 and 1932, composed his first film score, Lieutenant Kijé, and was commissioned to write Romeo and Juliet. Five named lines within one musical personality show a composer who thought of his style as plural rather than single.
Romeo and Juliet, a ballet in four acts based on Shakespeare’s tragedy, was commissioned in 1934, and Prokofiev completed the score in 1935, but political and administrative complications delayed its premiere in Russia. After a tour to the West in 1938, the year he composed the score for Sergei Eisenstein’s Alexander Nevsky, followed three years later by that of Ivan the Terrible, the Soviet authorities confiscated his passport, and it was never returned. A decree published by the Central Committee on 10 February 1948 severely damaged his standing, much of his music was blacklisted and his works were the object of scathing criticism. A ballet delayed by politics, a passport never returned and a decree in 1948 mark a career in which official decisions interrupted the music. A composer whose first tour of the USSR in 1927 was a tremendous success and whose standing was severely damaged by a decree in 1948 can be read as having lived under a changing set of official expectations.
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