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تصفح أوراق البيانو لـTurkey Folk Song على Zen Virtual Piano. İzmir Marşı, which also begins İzmir'in dağlarında çiçekler açar, is a march in the nihavend makam about the entry of the Turkish army into İzmir during the War of Independence. Its composer and lyricist have not been identified with certainty. A march about a major moment in a national story with no certain author suggests a piece that belongs to its singers more than to any one name. Istanbul University's Ottoman Period Music Application and Research Center holds a variation recorded as Millet Marşı, a composition of İzzettin Hümayi Elçioğlu. The conductor Naci Özgüç says he heard from his family that his ancestor Elçioğlu wrote the march, and that he came across a claim in sources that Elçioğlu wrote it at the age of 38. The music historian Murat Meriç replies that nothing shows Elçioğlu wrote it, that its lyricist and composer have not been identified, and that official sources list it as anonymous. Two scholars reading the same trail of claims and reaching different conclusions suggests how uncertain the march's origin remains. Kaptanzade Ali Rıza Bey said in an interview dated 23 July 1930 that he had composed the march himself. Murat Bardakçı has written that no handwritten copy of the work exists and that copies from the 1940s and 1950s call it Kafkasya Marşı, the Caucasus March. A title that changes with the copy, and a composer who claims it in an interview, leave the march with several names and no manuscript. The music of İzmir Marşı resembles that of Yayla Suyu, a folk song from Erzurum, and that it is also the same music as Erzurum Marşı. Versions of this music exist across a wide area, from the Caucasus to Crimea. The earliest recording that can be cited for the music is Yayla Suyu, performed by the Darulelhan Heyeti. Related tunes spread from the Caucasus to Crimea suggest a melody that traveled long before it received an author or a name.
تصفح أوراق البيانو لـTurkey Folk Song على Zen Virtual Piano.
İzmir Marşı, which also begins İzmir'in dağlarında çiçekler açar, is a march in the nihavend makam about the entry of the Turkish army into İzmir during the War of Independence. Its composer and lyricist have not been identified with certainty. A march about a major moment in a national story with no certain author suggests a piece that belongs to its singers more than to any one name.
Istanbul University's Ottoman Period Music Application and Research Center holds a variation recorded as Millet Marşı, a composition of İzzettin Hümayi Elçioğlu. The conductor Naci Özgüç says he heard from his family that his ancestor Elçioğlu wrote the march, and that he came across a claim in sources that Elçioğlu wrote it at the age of 38. The music historian Murat Meriç replies that nothing shows Elçioğlu wrote it, that its lyricist and composer have not been identified, and that official sources list it as anonymous. Two scholars reading the same trail of claims and reaching different conclusions suggests how uncertain the march's origin remains.
Kaptanzade Ali Rıza Bey said in an interview dated 23 July 1930 that he had composed the march himself. Murat Bardakçı has written that no handwritten copy of the work exists and that copies from the 1940s and 1950s call it Kafkasya Marşı, the Caucasus March. A title that changes with the copy, and a composer who claims it in an interview, leave the march with several names and no manuscript.
The music of İzmir Marşı resembles that of Yayla Suyu, a folk song from Erzurum, and that it is also the same music as Erzurum Marşı. Versions of this music exist across a wide area, from the Caucasus to Crimea. The earliest recording that can be cited for the music is Yayla Suyu, performed by the Darulelhan Heyeti. Related tunes spread from the Caucasus to Crimea suggest a melody that traveled long before it received an author or a name.
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